Check it Out Y'all.....

YO! It's Chloeanne here! And guess what? The blogger has turned to design. So. Last night, I was like CHIZ MAN! My mama has me on house arrest and I have to get a dress for the end of school dance! So, I decided I would make it! I tore up my closet, desparate for fabrics, and clothes to tear up so I could GET fabric. I ended up with a skirt like this:

Except it was black and white with rose print. I also had, this:

Simple tank. Yadda. Yadda.

So anyways, I cut off the band at the top of the skirt so I just had the skirt. Then, I cut off the top of the tank from the bottom of the shoulder blades. So I just had the fabric from the back of the tank. So I took the straps, turned it around, and made it into a halter. I will post it later!!!! Hope you guys like my idea.....

Stay lovesick for me.

Your Obedient Blogger,

Chloeanne

God Almighty We Praise You For Your Glory.......Marc Jacobs.

Marc Jacobs (April 9th, 1963--)

Marc Jacobs (born April 9, 1963) is an American fashion designer and the head designer for Marc Jacobs, as well as the diffusion line Marc by Marc Jacobs. Jacobs is currently the Creative Director of the French design house Louis Vuitton. And I love him for it. Seriously, if he weren't openly gay, I wouldn't be here in my room typing this right now. I'd be stalking him all over town to his home and begging him to date me. <3 (MARC! Call me! lol jk. or am i?? O_____o)
Marc Jacobs was born to a Jewish family in NYC. He grew up in New Jersey with his mother, sister, and younger brother, and attended Teaneck High School but also attended and graduated from the New York High School of Art and Design. At fifteen, Jacobs worked as a stockboy at Charivari, an avant-garde clothing boutique in New York City. He later attended The New School, studying at the university's art and design division; he was also captain of the ballet team.Jacobs also studied at Parsons. During his tenure at Parsons, Jacobs won the Perry Ellis Gold Thimble Award in 1984, and in the same year was also awarded the Chester Weinberg Gold Thimble Award and the Design Student of the Year Award.While at Parsons, Jacobs sold his first line of knit sweaters. He also designed his first collection for Reuben Thomas, Inc., under the Sketchbook label. Subsequent to his studies at Parsons, Jacobs began to design at Perry Ellis after its founder had died. Jacobs became permanent on the fashion scene when he designed a grunge collection for Perry Ellis, leading to his dismissal in 1993, With Robert Duffy, Jacobs' creative collaborator, and business partner since the mid-80s, he formed Jacobs Duffy Designs Inc., which continues to this day. Duffy also remains Jacobs' best friend and confidant, Duffy told Sally Singer in a 2008 interview for 032c magazine. In 1986, backed by Onward Kashiyama USA, Inc., Jacobs designed his first collection bearing the Marc Jacobs label. In 1987, Jacobs was the youngest designer to have ever been awarded the fashion industry's highest tribute, The Council of Fashion Designers of America (CFDA)Perry Ellis Award for New Fashion Talent.
Jacobs and Duffy joined the women's design unit of Tristan Russo in 1989 as Vice President and President, respectively. In addition, Jacobs oversaw the design of the various women's licensees. In 1992, the  Council of Fashion Designers of America, once again bestowed Jacobs with a great honor: The Women's Designer of the Year Award. In the same year, Duffy said in his 032c interview, he and Jacobs were fired from Perry Ellis after producing an uber-grunge collection. In 1994 he produced his first full collection of menswear.
Jacobs is a prominent fixture in the New York City celebrity scene, having become something of a celebrity himself. The audience for his fashion shows typically includes celebrities like Kim Gordon and VIncent Gallo.  Most of his collections make references to the fashions of past decades from the forties to the eighties. Disputing the claim by the designer Oscar De La Renta (Beauteous bridal gowns) that Jacobs is a mere copyist, The New York Times critic Guy Trebay has written "unlike the many brand-name designers who promote the illusion that their output results from a single prodigious creativity, Mr. Jacobs makes no pretense that fashion emerges full blown from the head of one solitary genius". Explaining his clothes, Jacobs has said "what I prefer is that even if someone feels hedonistic, they don't look it. Curiosity about sex is much more interesting to me than domination. ... My clothes are not hot. Never. Never."
In May 2009, Jacobs hosted the 'Model and Muse' themed Metropolitan Museum of Art Costume Institute Gala in New York with Kate Moss, another of my instant fashion muses.
In April 2010, Marc Jacobs was chosen to be among Time magazine's 100 most influential people in the world. (SOOOOO HOT.)
In recent years, the Marc Jacobs brand has increased the number of boutiques and direct point of service locations. This is evident in the signature list of cities featured in the company's print advertisements (although such adverts do not provide an entirely accurate or exhaustive survey of the brand's retail operations). Some of these branded showrooms present only a certain portion of the company's several brands (The Marc Jacobs Collection, Marc by Marc Jacobs, and Little Marc, a children's line). A number of branded boutiques, for instance, feature only the Marc by Marc Jacobs product line. As of May 2008, Marc Jacobs boutiques in the United States include multiple locations in New York, San Francisco, and Los Angeles, as well as shops in Boston, Bal Harbour, Las Vegas, Guam, Chicago, Savannah, and Provincetown, Massachusetts. Worldwide, other such stand-alone stores are found in Europe (Paris, London, Madrid, Copenhagen and Moscow), the Middle East (Beirut, Riyadh, Dubai, Kuwait, and Doha), across Japan (multiple locations in Tokyo and Osaka, as well as Kyoto, Kobe, Nagoya, Sendai, Shizuoka, Nagano, Chiba, Matsuyama, and Tottori), Korea (multiple locations in Seoul) and elsewhere in Asia (multiple locations in Hong Kong and Taipei, as well as Shanghai, Beijing, Chengdu, Guangzhou, Manila, Kuala Lumpur, Singapore, Jakarta, and Bangkok). The various ready-to-wear and accessory collections are also widely available at leading department stores around the globe.
In February 2008, Jacobs was accused of plaigarism. It was revealed that a scarf from his collection had exactly the same design as a scarf created in the 1950s by Swedish designer Gösta Olofsson, after Esquire writer Rob Millan discovered the scarf's use in a print ad and reported the allegation in the January 2008 issue. In early March, Göran Olofsson, the son of Gösta Olofsson, and Jacobs settled on the issue through monetary compensation. In 2009, Jacobs launched a shirt, sold at his stores, demanding the legalization of gay marriage. In February 2010, Jacobs sued Ed Hardy for infringing on the designs of one of his embroidered handbags.
In 2006, he started a new line of body splash fragrances in affordable huge 10 oz. bottles which are distributed by Coty. First only being sold in perfume boutiques, they have become more and more popular during the recent years.

In 2009, Jacobs was ranked 15th on  Out magazine's annual list of "50 Most Powerful Gay Men and Women in America". We bloggers call that: fashionpwnage.

Jacobs, who is openly gay (~Phooey.) was in a four relationship with styilist Jason Preston & was in a relationship with advertising executive Lorenzo Martone. In March 2009, Women's Wear Daily reported that the pair was engaged after a year of dating. In July 2009, the couple held their wedding in Provincetown, Mass. . Although they considered themselves a married couple, their marriage was not legally official until later that year. On July 23, 2010, Jacobs told Vogue.co.uk: "No I am not getting married." And on July 24, Lorenzo announced via Twitter that he and Jacobs had not been together for two months.

So that is the life and career of the best designer is the world (my personal opinion.) I love you Marc.....and to commemorate his SMASHING SUCCESS here are a few photos..

(Read his chest.....hehe ^.-)

HOPE YOU LIKED IT!!! <3

Movie Post------The Social Network

The Social Network:

On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications.

Actors/Actresses:

Jesse Eisenberg as Mark Zuckerberg  (AKA: The Technology God)

Andrew Garfield as Eduardo Saverin (AKA: The Best Friend who gets screwed over)

Rooney Mara (The Ex Who is the Inciting Force of Facebook)

Justin Timberlake as Sean Parker (AKA: The Lonely Asswipe Who Created Napster)

Brenda Song as Christy (AKA: The Whore Who Becomes Eduardo's Psycho Girlfriend)

Malese Jow as Alice (AKA: The Hoe Who Gave a Blowjob to the Maker of Facebook)

My personal Opinion: This movie would have been nothing, absolutely nothing, withou the brilliant screenplay of Aaron Sorkin. His wording of every character is exquisite, especially Mark himself, who is so perfectly portrayed as an exhausting, yet brilliant student, who is very confident, but also muted. The shades of gray in this movie are so easily hidden by the perfect subtlety of every member of this movie, the brilliance is stunning. From the first scene to the last, every moment is absolutely phenomenal. A must see. 
Rating: ****1/2

Music Reviews....

Hey guys!! This review is kind of like my last review except its for music instead of books! :) Anywhoooo, this blog is only going to include three of some HOT artists right now. I hope you enjoy!!

ADELE

Even if Adele Adkins's record-breaking 11 weeks at the top of the album chart ends on Sunday – and it looks like the Foo Fighters will finally halt the longest reign ever by a female artist – it's an amazing achievement. Clutching a Brits Critics' Choice award before she'd even released her debut album, Adele had what seems like pre-ordained success, but it never would have happened without her extraordinary voice. Appropriately, her big, smoky pipes enter tonight before she does – singing from the wings, before she suddenly emerges, cackling "Awright Leeds."
These first few seconds encapsulate her special connection with the public. A peculiar mixture of the sublime and the mundane, she combines the voice of Alison Moyet with the Queen Vic shtick of Barbara Windsor. One minute she's adding an eerie tremor to the lyric "Of my world", the next she's explaining to the people pondering aloud just how one might Set Fire to the Rain, that the song was inspired "when mah lightah stopped workin'" in the wet.
When she asks for the lights to be turned up, she reveals just who are the people who have been buying those records – not edgy retro-soul connoisseurs, but greying bonces and high-street blondes. At times, her music makes appropriate compromises. "Cuddle the one you're wiv", she instructs; Turning Tables's beige-eyed soul seems designed for couples taking photos of themselves as they bellow along with every "Ooh-ooh".
Like them, Adele seems blissfully unaware of cool, and it seems quite revealing that her intriguing choice of the Cure's Lovesong could easily have been replaced with INXS's prosaic Never Tear Us Apart, "one of mah favourites". You wonder whether she even realises that some of her songs (the haunting One and Only) are better and deeper than others (shoppers' soundtrack Chasing Pavements), and why.
But when she gets it right, she flies. With her hushed delivery of Make You Feel My Love, she makes a Bob Dylan song her own. Rolling in the Deep is a big, hands-clapping party shouter. And when the 22-year-old adds emotion beyond her years to Someone Like You – a moving confession of romantic failings – she touches the crowd so much that they sing back at her, like a huge and slightly eerie choir. "I think that might be the best moment of my life," she cries, momentarily overcome. But you suspect that, once her songs equal her voice, there will be many more such moments to follow.

RATING: ***


GLEE! <3

Glee is amazing. Can I just say that? With the likes of New Directions and the Warblers....Glee truly makes my heart sing. Literally. Everytime I watch Glee, I'm singing the songs days afterwards. And Glee truly brings glee to people all around them. If you know me, I'm not really a 'people person', and I talk about glee so excitedly with people I would normally hate because I'm just so damn excited for the new episode. I love Rachel Berry and Kurt Hummel. I promise, glee fans, that I will do an entire post dedicated to Kurt's (Chris Colfer!!! I LOVE YOU!!! *stalks him on twitter obsessively*) outfits and will do a writeup of who and what he is wearing and my personal opinion on every episode. Glee....I love you. Thank you for making tuesday my favorite day of the week. Without Glee I would have no life....yes, that means I ahve no life 6 other days of the week. :)

RATING: *****



 LADY GAGA

About halfway through her show, Lady Gaga rose from the bowels of the stage seated behind a scorched-looking piano, a chauffer’s cap sexily tilted on her head.
She leaned forward into a real microphone – not the headset clamped on her most of the night – and unleashed a stripped, potent version of “Born This Way.”
In its rawest form, steered by Gaga’s monster of a voice, the song bore zero resemblance to the dance classic it is universally compared to – Madonna’s “Express Yourself” – and instead, shuddered through the Gwinnett Arena with searing poignancy.
By following it up with the torchy new “You and I,” a sweeping power ballad straight out of the early Elton John songbook, Gaga proved in four minutes what her entire show strived to accomplish in nearly two hours: She’s nobody’s wannabe.
While there is no denying that the girl formerly known as Stefani Germanotta has spent thousands of hours studying not only Madonna, but David Bowie, Freddie Mercury and possibly even a little Marilyn Manson for extra shock effect, her approach is wholly different.
While her heroes concentrated on pure performance, portraying themselves as untouchable icons in their own Broadway musical, Gaga frequently breaks the fourth wall, addressing her fans with varying levels of appreciation and intimacy.
“I didn’t used to be very brave, but you have made me so brave, little monsters,” she told her loving flock, who instantly forgave her 9:45 p.m. start time upon hearing the first electro-buzzy notes of “Dance in the Dark.”
With her messages of empowerment – “Reject anyone or anything who made you feel you didn’t belong,” “Please leave tonight loving yourself a little bit more than when you walked in,” – and tales of her own supposed high school bullying, Gaga started to sound like an after school special. Sure, the message is important, but it also gets diluted after its sixth rendering.
That type of connection, though, is what motivated hundreds in the sold out crowd of more than 13,000 at Monday’s concert to dress in fishnet stockings, blond wigs, feather boas and the occasional dog chain.
She is their champion, the former misfit now sporting straw-colored hair who boldly snarled “I will NEVER lip-synch. Not. One. Word,” during “Teeth,” which eventually devolved into a lot of Gaga rolling around in dry ice screaming about how Jesus loves everyone.
But even though the melodrama of her performance can be a bit draining, she’s definitely inherited Madonna’s work ethic and fierce creativity.
 Whether tossing out “Just Dance” with a cool nonchalance, skipping around in one of her trademark leotards and knee-high black boots with her cadre of dancers, or cruising down the catwalk in a transparent getup with a plastic Flying Nun-type habit for the delightful disco of “Love Game,” Gaga was a tireless showgirl.
It’s apparent she isn’t a natural dancer, yet you could clearly see the effort she put into mastering her moves with a chorus line of shirtless men in spandex underwear during “Boys, Boys, Boys.” Even when she nearly wiped out on a discarded jacket during “Poker Face,” Gaga barely missed a step.
She might have a see-through heart, but she is, first and foremost, a professional.
Though there were plenty of eye-popping production elements in her show, such as a scary-cool forest set and weird piranha-octopus blowup creature that towered behind her as the “monster” in “Paparazzi” – both visual upgrades from her earlier theater run, which brought her to the Fox in late 2009 – Gaga really doesn’t need to rely so much on spectacle.
She loves her performance art, sure. But as she demonstrated with her two piano tunes, there’s no reason to mask that kind of vocal talent.


I LOVE YOU LADY GAGA!!

RATING: *****